Here is a great review from a great contributor… check out “In The Dark” an adult interracial flick by Vertigo VideoIn The Dark Cums To Light

In The Dark brings some great interracial fucking into the light, allowing the silly, borderline racist premise to be overlooked.

In The Dark was directed by Bobby Manila and released by the Vertigo DVD company. The premise involves white women hanging out near wall with a large circular hole cut in it and giving away free blow jobs to white men only. However, as the women are going down on a white guy a black man sneaks up behind her and starts fucking her from behind without her realizing he is black. When she turns around she realizes there may be a whole new world of pleasure to be found in interracial fucking. All of the actresses are very sexy and the actors are a bit silly in the beginning of their roles, but then the chemistry between each couple is great when it gets down to fucking.
This is a film that shouldn’t just appeal to people specifically looking for black dudes fucking white chicks, because it is well shot and covers all the bases of basic fucking.

The opening credits of the movie are done over what sounds like horror film music and that was a bit odd considering everyone throughout seems to be having fun and willingly becoming sexual partners. This intro combined with some of the acting in the opening scene, including a “pussy tastes like chicken” line almost played the racism card, but ultimately the movie does not become degrading and for those who enjoy watching interracial couples having sex there are some hot ones here, regardless of the opening, silly premise involving the white dick sucking only wall. The special features on In the Dark feature a photo gallery, movie trailers, and something that I thought was really cool: a behind the Scenes feature. The behind the scenes feature is very interesting and there is also an extra actress sucking some cock. The make-up artist for the film, a cute blond, joins in on the black dick sucking action. Custom7 Courtney Cumz opens this feature and is HOT.

Her reaction when she finds that the guy fucking her from behind is black is feigned surprise, but willingness to go for it since she claims she has never sucked a black cock before. The black man who was doing her from behind was playing the role way over-the-top smiling and making goofy faces at the camera, that is until she is knowingly fucking him. The duo have great chemistry together and are playful. Courtney makes an sex scene extra good with her cute facial expressions and perfect body. The black fellow has great charisma. They both take care of each other, meaning Courtney isn’ t the only one dishing out the oral.

Goldie Coxx takes over in the second scene playing through the same scenario as Cumz did only with two different male actors. The white guy getting his cock worked on through the cardboard hole uses Coxx’s scarf to choke her a bit while she deep throats; she really gags down hard. The black man this time doesn’t ham it up so much all silly for the camera and when Coxx realizes it is a black man behind her she is the only actress to actually effectively act scared for a moment.

Goldie’s scene ends up being the hottest on the entire DVD once she gets past the stage of screaming like a child in a tantrum. This interracial duo have great chemistry as well and the viewer is treated to a glorious view of Coxx’s pussy and ass as she lays to one side sucking some black dick. The fun of their scene is best captured by the fact that he almost fucks her shoes right off her feet and she must hold them while having already proclaimed: Once you go black, not fucking goin! g back.  Kelly Wells scene, after the same beginning formula, goes into a sexual exploration of a black man and white woman with the man talking about some of the ways black men are better as lovers. He displays an intense and almost borderline violent enthusiasm at times, and then slows things down to show her “peace and love.

There is a lot of choking going on in her scene, and Wells is also the only actress of the movie to wear stockings during the sex. Poppy Morgan’s scene opens with her all but proclaiming to be crazy and desperate for some cock, in her British accent. This scene appears to have actually been the first one to be filmed since the white actor getting his dick sucked is the one to write ‘White Dicks Only” with a marker on the wall. This helps stress the movie as letting fucking take the spotlight instead of wasting time with too much character and story. However, Poppy once she realizes she is being fucked from behind by a black man continues to be eager for cock and jumps right into action riding black dick on the couch. Kayla Marie is young and sexy and doesn’t really shy away from the overall formula of
fucking as shown by all of the previous performances. The black guy nailing her looks sort of like a taller version of the comedian David Alan Grier. They cover all of the basics of sex, aside from her getting any oral pleasure in return. The scene fits right in with some notably good close-ups of Kayla’s face and keeps the same pace as all of the other scenes in making this a great fuck movie.

If you like black guys fucking hot white chicks this covers the basics and should suit you well.
Check out all the hot products here

Rod Fontana Takes it Like a Man - Mommy Strap-on Daddy Vertigo starring Summer Sinn, Darryl Hanna, Angelica Sin, Kayla Kupcakes, Summer Storm, and Rod Fontana Custom5 I am really impressed with movie. I thought it was going to be the usual strap on film, but there is a lot more than that. Not only are there strap ons used, but it also incorporates foot fetish. There is mutual satisfaction for everyone. Rod Fontana gives as well as receives. Custom6 This film is raunchy, trashy and real. In addition to the women using their strap ons to satisfy Rod Fontana’s hunger; they used their fingers, fists, and their feet. Rod Fontana takes it in the ass in a variety of positions including, laying down. There is feet licking, spitting, gagging, rimming, and arousing dirty talk. After rod is done filling these girls with his cock, they have no problem licking their liquid from it.

Rod is very clear about what he wants and the girls happily obey, and fuck him the way that he wants to be fucked. The strap-ons used to satisfy Rod are huge and he accepts every inch of them. Custom7 Darryl Hanna and Rod have great dialogue and chemistry in the first scene, she is totally excited about using a strap on for the first time. Angelica Sinn takes it to another level when she asks Rod to spit in her mouth and then returns the favor. Kayla Kupcakes gets bold when she puts her whole fist in Rods ass. Summer Sinn is simply sinnsationalas she gives Rod a no hand blow job and swallows the whole thing. Custom8 This is a great movie with lots of ass action and experience enhancing dialogue. Overall this film is a very real and raw experience.

Taryn is all hard core while Cindy proves experience is better.
Bachelorette Bang - This was everything I expected it to be, but I actually felt there would be more girls involved and more scenes. But these scenes are a nice way to get your blood pumping. Custom6 This is all gang banging with five guys per girl. Two scenes. A lot of Blow Job action and double penetration for both of them. The first scene is fast and furious with Taryn Thomas. There is double penetration here and I think you’ll enjoy this the most. The cum shots are pretty clean, not too messy. Taryn swallows! The second scene with Cindy has a nice, steady pace. Every angle that was covered for Taryn is covered here. Cindy also loved the double penetration. The cum shots are golden here, nice and messy. I especially love the way the scenes are shot, great use of close up’s to cover the detail of each
penetration, the wide shots are there when they need to be to show vivid two or even three on one action - one for the pussy, one for anal, and another to stuff their mouths. Custom7 Taryn Thomas, a brunette, was horny as hell. She kept begging to be stuffed in every hole. She gagged. Even when the guys were rotating she moved them in to hurry it up! She was a bit of an amateur, I thought, because she looked at the camera, I don’t really get off on that, and she talked alot to enhance the “hottness” of the scene. Cindy Crawford, a blonde, was cool, calm, steady and slower. Custom8 This is a great video for bachelor parties or even Spring Break! If you like it fast and hard the first scene with Taryn is awesome. If you want it slower, a bit more erotic and mature than Cindy is definitely your ticket.

Flip the Switch is a great example of a no frills, hardcore porno that gets straight to the action, the action of hard core fucking. If you like your porno action aggressive, with dirty talk, loud moaning, enthusiastic performances from the starlets, and an almost maniac knob busting experience, Flip the Switch will not let you down. One thing that I noticed immediately from the opening preview was the overall raunchy enthusiasm of the performers; I can’t express how important that is for the average porn viewer, in terms of really feeling the hardcore action as legitimate.

The opening scene features a done up Tory Lane, looking extremely beautiful in a tight leopard skin dress as she screams, ARE YOU READY TO GET FUCKED? as you realize this isn’t your average, ordinary going through the motions porno.

Tory Lane is one of my new favorites, and if you’re a fan of hers you have probably never seen her in this way before, all done up and with ! a rather authoritative tone of uhm, command!

The action starts off with a 2 on 2 romp with Tory Lane leading the way, literally, verbally insulting and ordering the others like a crazed dominatrix, her commanding voice and sex vixen vibe is refreshing and strangely believable. The camera work is non traditional romp throughout, as it is constantly rotating around this orgy like experience capturing not only the close up penetration but also the overall romp of the environment which was a nice touch. Tory looks amazing, as her tight leather stockings almost get you hard all by themselves, and she as usual delivers a very raw and enthusiastic hardcore performance.

Overall, each of the starlets seem to keep the theme of the dirty talking sex addicted maniac that we all fantasize of encountering someday, I appreciated the overall vigor and zest of their attitude and the hardcore action throughout, very satisfactory as they left nothing to the imagination!

With only 6 starlets in Flip the Switch, you may wonder if it delivers, and overall it does, if you are into the rough raunchy hardcore simplicity of the sex starved slut mentality begging get rammed as hard as humanly possible. The standard 2 top notch attractive stars along with the “filer” girls is nothing new in terms of casting, however, even the less attractive stars in this film will win you over with their sex craved enthusiasm, and will definitely assist you in Flipping your Switch to a masturbatory satisfaction!

Stocking Stuffers #2 is stuff wet dreams are made of!

Stocking Stuffers #2 starring Tiffany Taylor, Eva Angelina, Rhiannon Bray, Tiffany Holiday, Genesis Skye, And Nikki Loren, from Vertigo. Custom5 For those of us that think there is nothing sexier than a hot lady in some tight stockings, Stocking Stuffers #2 is simply the stuff dreams are made of! Vertigo continues to push the envelope in bringing you high intensity smut with some very creative ways to utilize hot women with hot stockings which will definitely get your undivided attention!

Stocking Stuffers #2 does a great job in walking the line between highlighting the sexiness of sexy starlets in stocking but not forgetting Vertigos™ trademark style, hardcore ravenous fucking. In this film you will see all kinds of stocking scenarios, stocking on legs (standard) to stockings draped over the starlets face (not so standard).

Along the way you will appreciate the director’s creativity in utilizing this sexy gear into often unspeakable situations but it never detracts from the overall hardcore action, if anything is enhances it. Along with the creative utilization of stockings comes the “cum cam” where the cum literally spills all over the camera, as you are treated to a blurry view of the action temporarily, which is a nice change of pace and is something entirely different. As for the action, is it all very hardcore sucking a fucking at mind numbing intensity, with the always evident enthusiasm vertigo is known for in their film.

Stocking Stuffers #2 is obviously not for the meek or ultra conservative. If you demand only the most hardcore action from and enjoy stockings, (who doesn’t?) you are almost guaranteed a highly erotic and satisfying viewing! Very wild and willing, to be dominated and almost abused, if you’re into that you will get a kick out of the hardcore stocking stuffing action in this film.

If you like stockings on sexy women, or even if you don’t Stocking Stuffers #2 is worth your time, as you will obviously see something unique and memorable. This one will is not your standard porn, these girls really do get the stockings stuffed out of them!

Persia De Carlo Surpasses Star “Aaralyn Barra” Without Getting As Extreme.

Here is a great review by one of our contributors… and for the scene with Nikkie Nieves, well he couldn’t turn it off it was just so whore-a-fying, yes, guys, whores a frying or fying… hmmm. And as for Nikkie Nievez, well… damn her ass can take a pounding.
So check it out here!
Persia De Carlo Surpasses Star “Aaralyn Barra” Without Getting As Extreme.
Title of Movie: Petite Chicks Big Dicks. - Vertigo Studios - Starring Aaralyn Barra. Petite Chicks Big Dicks, made by Vertigo is an all-around good kinky movie. The majority of the girls are very attractive, however not all can be so lucky. Sadly I am not sure if Vertigo ran out of attractive girls, or if they just felt that the film needed a good filthy girl for the last 32 minutes. Nikki Nieves, whose name is not mentioned on the box, appears to be the remnants on trailer trash. Nevertheless, regardless of this she (Nikki Nieves) does give a great filthy fuck. I can safely say that I have not seen a girl slap herself and degrade herself before actually getting into the action of the film.

Petite Chicks Big Dicks by Vertigo Video lives up to its title. The dicks are quite large in relation to the girls; especially in relation to Persia De Carlo who could not take her male counterpart fully.

The performance given by Persia De Carlo was that of an almost exquisite precision. If I did not know that she was a paid professional adult star I would say that when she came on camera it was not fake, but that of an intense orgasm. Although sadly Persia did not partake in any anal action, she did (as far as I can tell) a much better job and a much more enjoyable job to watch than the star Aaralyn Barra. Although she did not do anal there was, however, plenty of kink in her scene and the rest of the film.

There were a great number of very kinky actions that took place in Vertigo’s Petite Chicks Big Dicks. This was a straight boy girl film, but the title should have been called Petite young Chicks, due to the girls were all in their early twenties. But the kink went from submission and degradation on the part of Nikki Nieves, with chocking, slapping, fish hooking (that’s putting finger in the cheek while riding behind) and an angry fuck with Mia Rose. And of course feet.

All the girls, with the sad exception of Persia De Carlo, partook in anal. One could almost tell that she wanted it but the dick was a tad to large for her. However, with that being said there was a very nice ejaculation scene that took place with Aaralyn Barra. In addition to this, there is some great ass-to-mouth action taken on the part of Jamie Elle, and Nikki Nieves. In addition to Nikki Nieves partaking in ass to mouth which she does in the film and in the bonus feature behind the scenes, which is one of the nicest behind the scenes I’ve seen in an adult movie.

Nevertheless, all the girls gave a great performance, with the exception of overly degrading action on the part of Nikki Nieves. She came off too cock hungry… but in the wrong way. There wasn’t a lot of masturbation going on with her scene, but yet I couldn’t turn it off it was just so whore-a-fying. But damn her ass can take a pounding. Both my girlfriend and myself give her a thumbs down.

Now for the outfits. They were chosen exceptionally well for each girl. This is especially true for Persia De Carlo, Aaralyn Barra who wore fantastic high heals during her scene, Mia Rose, and Jamie Elle.

This film was not the best adult movie I have ever seen, however it is decent quality, with the exception of Nikki Nieves. If you like degradation and submission, with young girls doing anal and choking, then you should like this. Just watch out for the trailer girl at the end.

Christy Canyon

Born June 17, 1966 in Pasadena, Italian-American Christy Canyon (Melissa Bardiz Bania) grew up in the San Fernando Valley. She got kicked out of Providence High School before graduating from North Hollywood High.

Christy’s older sister writes on the internet under the name Carla Sinclair. Author of The Happy Mutant Handbook and Signal To Noise, she publishes her husband’s magazine bOING, bOING. Hubby Mark Frauenfelder edits Wired magazine. They have a daughter Sarina, named after the aunt in Bewitched.

“When Christy was in second grade,” Carla told Axcess magazine, “she coerced all these girls into drawing their own Playboy [style] magazines?to sell to all the boys. And because she was the ringleader, she got sent down to the principal’s office.

“We used to watch our step dad undress. We’d rush home and he’d let us watch him undress and change. I got to see almost all my friend’s fathers?”

When the girls were eight and ten years of age, their mother took them to see the Warren Beatty movie Shampoo. “She used to drive us down Hollywood Boulevard to look at the hoookers?

“When Christy was thirteen and I was fifteen,” says Carla, “we used to go into this nightclub where you were supposed to be 18. But the owner liked her?”

Carla dressed her younger sister in tight angora sweaters. “I’d tell her to keep her mouth shut because she had braces but her body was so cute. We’d go to this club called Seven Seas. It was all sailors and transsexuals.”

At age 16, Canyon lost her virginity to a tender Thai who knew little about sex. “He was adorable. He was gorgeous. I really loved him but he taught me nothing about sex. It was just five-minutes-and-its-over type thing? I didn’t know a girl was supposed to enjoy sex as much as a man.

“Dad really got mad when he found out? My parents never talked about sex nor did my older sister. My boyfriend never expressed his feelings. He was not creative.”

At age 17, Canyon ran away from home with a “murderer? I think he had a warrant or ten out on him?”

A few months later, Christy dated actor Robin Williams. “He could never get it up because he was so high on coke. He stank so bad we had to fumigate after he left.” (Axcess magazine)

Performer Greg Rome spotted Christy fresh out of high school, strolling down Sunset Boulevard. He stopped the auburn-haired beauty and asked her if she’d like to star in a movie with him. She said yes.

“?This little surfer blonde guy pulls up in a White Trans-Am, with the gold eagle on the hood, with the sunroof, the whole thing, and we just started talking.

“And I’m very personable — and at eighteen I’d talk to anyone pretty much — so anyway, he came up to me and said, “Oh, what kind of work do you do, you’re so pretty! You should do modeling and tapa-tapa-tap.”

Well, at the time, I felt really ugly about myself. I had just graduated high school, moved out on my own, wasn’t talking to my family.

“It’s a whole personal long story starting with divorce. It had gotten to the point where my parents, no longer married to each other, were fighting with their [new] spouses. And I was caught in the middle, no matter what house I went to. I was getting the blame from everyone. How could a seventeen-year-old cause the divorce of everyone?

“So, anyway, GREG ROME — the little blonde surfer guy — is saying all these nice things and I thought, “Wow, it’s really nice of the guy to think I could be a model, and da-da-da!”

I’m working two jobs now and I can’t pay my bills, so he gave me a card for a modeling agency. And it said, “figure modeling.” So I asked Greg what was figure modeling? And he said, “Oh, just a little nudity.”

“So, anyway, I think I went out with him a few times, just to dance clubs and stuff, and then he kind of bored me after awhile. I don’t like that real blonde look. I like darker, and I’m not into those real muscle builds and young guys. I’ve never been attracted to that. I’ve always liked older men.

“But I still had that card that he gave me, and I looked at it once and I thought, “No, I’ll never do figure modeling” — but I put it away. I just always kept it in a little drawer. And one night I was down to, like, five dollars in my wallet, another five in the bank — and my car insurance was due, my rent was do, I mean EVERYTHING was due. My phone had like 24 hours, then they were going to cut it off. So I called up this number. From that day on I worked the whole eight months.”

Canyon says she had sex with Greg once. “And it was because I wasn’t experienced with sex at all. I was barely eighteen. I hadn’t been with too many guys, and he would say, “Well, if you do get into the video part eventually, do you know what doggie style is, and do you know what spoon is, and all?” Well, I know what a fork is. I mean I really didn’t know the different positions.

“Yeah, egg beater, or you know. I’d always been with guys who were just into themselves getting off, and not pleasing me.

“?Just laying me down and doing their thing. Whereas, until I got into the business, I had never had a guy do, like, four different positions in one night, you know. Or last more than five minutes.

“So to me it was really exciting, and felt like, “Well, I’m not really enjoying this, Greg, but I think I should learn it [she erupts with laughter].” But I was, like, scared because I thought, “Oooo, this guy’s been with all those pretty girls and here, you know, I don’t know what I’m doing.”

“But he liked it, because he thought he was like Mr. Macho for teaching me. And for the full eight months I was in the business, he used to always say to me, [mimicking a little boy’s voice] “If it wasn’t for me, you wouldn’t have all that money,” you know. It was like, “Shuddup — you got your fifty dollars commission.”

At last word, Greg Rome, when not in jail, was hustling guys on Santa Monica Boulevard. Sex Net’s Clete McCabe saw him one morning “wearing just a tank top and tight shorts — and clutching one of his Boy/Girl videos, with him on the cover. Guess it helps him to get a higher fee from the trade he picks up.”

CHRISTY: “That’s like the bottom of the barrel. So, it’s too bad because Greg was basically a nice person. His only problem with me, though, was when I got really big, and famous, he wanted all the credit.

“And it was like, “Hey, Greg, you introduced me, you got paid for it, I requested you in my first twenty-nine thousand videos, you know. I mean you made money off of it, not only from the agent, but me wanting to work with you, so don’t give me any of this shit.”

McCabe: He basically was a pleasant guy — but, no, he wasn’t the brightest guy.

CHRISTY: I don’t think a lot of the people [in the business] are. Not to be mean — but even when I was in it, I wasn’t playing with a full deck. I was a little screwy at the time, I think. Eighteen!?! I didn’t know what to do with all this money, with fame, you know.

“When I started, I didn’t know how to give a guy head. Ron Jeremy had to teach me? He’d hold my head down and say, ‘No, Christy, you have to do it longer than ten seconds,’” (Adult Video News, 1991)

“I’ve got two different sides. Maybe it’s because I’m a Gemini. Actually, I’ve got like three sides: I’ve got the Little Girl side of me still, where I like to stay up with my girlfriends, and giggle, and drink hot chocolate and smoke cigarettes all night.

“Then I’ve got my side that’s more a loose side. When I know I can be like that, it’s real easy for me to turn that on, to work, that whole thing. And then I’ve got a conservative side [which demonstrates itself with her finances].”

At the beginning of her career, Canyon lived on the wild side. “I lived on the corner of Franklin and Orchid, at the Holiday Apartments. It was a holiday, all right, everybody there was on a trip, except for me.

“But you know what — I loved it! Now that I look back, and even at the time, I had fun. It was fun there. But it’s something I could never do again. I was there for five months.

“I must have, like, a guardian angel. Because some of the things that I survived in that area — oooohhhhh, boy! I mean Twilight Zone.

“There were Pimps across the street. There were Pimps up above me, there were gays up above me, there was a drug addict next to me, there was a totally loony guy next to me, across the hall, and all day he’d go “blah-blah-blah, motherfucker, blah-blah-blah” — I mean ALL day.

“I’d wake up, there were Bums outside my window. I got to know them, ummnnn, you know, breakfast every morning.

“There was a transvestite down the hall, who used to feed me dinner every night. I mean nice people, but just totally whacked out loony-bins. It was like that movie, One Flew Over The Cuckoo’s Nest. And I was like the sane person.

“I was living alone, on the bottom floor, in the back unit, and there was no light in the dirt area for parking outside my window. God knows how I survived without one thing scratching or scarring me.

“?The windows were paper thin, the doors were cardboard, I know I must have a guardian angel. I mean I’ve been through some situations that are scary when you think back — but I’m glad I did it because it was really fun.” (Sex Net)

Canyon debuted in Night of Living Dangerously, doing Peter North and Ginger Lynn. “It was my first time with another girl and Ginger was great. She showed me what to do.”

The Mohammed Ali of porn, Christy has three big comebacks to her credit. She first quit in 1985 at the request of her boyfriend. Christy worked as a receptionist and bookkeeper for her father before returning in ‘89. After quitting in 1993, she returned to Vivid in 1995.

“When I burn out on it, I quit because I never want it to become like a job. In the meantime, I dance.

“You don’t always get good meals [in porn], and if you get them you have to fight for them. And there were some people who treated you like you were just a Porno Person.

“Yeah, even some of the directors. Like MIKE CARPENTER, and JACK GENNARO, those types of people. They really treated you like you were the bottom of the barrel. They treat you like shit.

“I remember Mike Carpenter once said to the make-up artist, “Put on that cocksucker red!” I mean, couldn’t he call it, say, “British Red,” or “Really Red,” you know?

“I mean, what a phrase to use for a lipstick. Whereas everybody else, pretty much, treated you — you know — with respect. The best ones I worked for were Video Exclusives, Alex deRenzy, and Bob Wolfe in San Francisco.

“So now it’s nice, for the next years, working for just the one company [Vivid]– you don’t have to deal with all the riffraff.

“I like what I’m doing. I was never — and will never — be one of the types that wakes up, dreads the shoot, and says, ‘Goddammit, I don’t want to go, blah-blah-blah, I’m just doing it for the money.’

“But I always enjoyed going to work. I always liked the people, ninety percent of the time, excluding the Gennaros, etc.

“I always liked being around the cast and crew, who were usually very nice. And I always liked being in the atmosphere. There’s something about it — maybe because it’s so taboo, and it’s supposed to be so shady — that it’s fun in a way. Maybe it’s because I want to live dangerously… ” (Sexnet)

“It seems like it [burnout] always happens when I’m dating a guy and it becomes serious. They pressure me, and I almost feel guilty for doing it when I’m with them and I figure if I quit, I can always come back. I never quit thinking, “I’m never going to do this again.” It’s usually out of respect for the person I’m dating - the person I happen to love. And a lot of the time when I get back in, it’s because I want to rebel.

“I’m the little black sheep, the rebellious person of the family. I hope I will always be this way.

“The first time was scary. Then the second time I did it, I got into it. I like what I do, but it’s a rebellious thing for me. I love going against the norm. But just with work, because in my day-to-day life, I don’t rebel.” (HEVG)

Though one of the original Vivid Girls, Canyon didn’t let it spoil her. Those below her in social status, such as production assistants and make-up artists, say she’s courteous and humane.

“This erotic legend has a formidable body, with big juicy breasts and a well-rounded backside,” writes Adam Film World editor Jeremy Stone, Christy’s husband. “She’s a great beauty, with long sleek legs and a face so innocent it deserves a halo. Christy ignites in fits of orgasmic fireworks during her sex acts, panting and squeaking with ardor… She left the X-rated industry in 1993, returning to work for Vivid Video in 1995. Seems this perennial porn superstar can’t get enough… Maybe it was being inducted into the XRCO Hall of Fame that helped her find her way back. Whatever the case, we’re glad to be launching loads to new Canyon titles again. Seems this perennial porn star can’t get enough… ”

Christy’s hits include Night Breed, Sex Secrets of a Mistress, Doctor Desire, Dirty Letters, Wild Things, Hollywood Starlets, Little Girls Of The Street, On Golden Blonde, Sex 5th Avenue and Like A Virgin.

The Coming of Christy appeared in 1991. Canyon plays the frustrated wife of a movie mogul who wants recognition for her thespian talents. “This feature fills with hot sex and plenty of Christy getting crammed. Mike Horner as her husband bones his secretary Renee Foxx. Christy welcomes her director and casting agent Wayne Summers and Madison to her home, and they have a lesbian link that precedes a satisfying triad? Production values are high, the performers are motivated and Christy doesn’t come off like a two dimensional piece of porn meat. Leave Christy Canyon in simple, sex-filled videos and she shines.” (AFW)

In Vivid’s Comeback, we see “how unsexy and calculated the wild porn lifestyle can Be… This is a straight read on porn, blemishes and all. Christy overplays her part, but she’s supposed to be a superstar, so that means overacting in the tradition of many porn queens before her. She decides to come back, but can’t get up the nerve…” (AFW)

When fornicating before the camera, Canyon thinks first about camera angles. “I visualize how the scene should turn out and make sure the cameraman can shoot everything?”

Canyon’s 1995 marriage lasted five weeks. After spending four years with a man who wouldn’t marry her until she quit stripping and porn, she decided to marry a stranger.

“I got married and found, “Oh fuck, why don’t I just go back to my therapist [boyfriend]?

“Thank God I had a prenuptial agreement.”

Canyon says her work always becomes a problem with her lovers. “The guy I was with for four years had a production company, so you’d think he’d understand it more than most people. But he didn’t. The guy I was married to didn’t know - he’d never seen one of my movies… I usually end up dating people in the business because they understand it more. At first, they’re always understanding, but slowly it starts to change.”

“I don’t like it when guys treat girls in the business like porn girls. I don’t like the mentality of someone who thinks: “She’s a porn star, I can fuck her for nothing.”

A triple Gemini, Christy enjoyed comedic roles. “I like expressing myself and changing personalities. I don’t understand those fuck-me doll roles. Bimbo roles are degrading?” She gets mental orgasms from buying a new outfit.

“I once had this guy who bit my clit. I got really mad. How would you feel if I squeezed hard on your balls? When it comes to playing with my clit, pussy, tits or nipples, don’t bite, pinch or hurt. Because I’ll turn around and slug you. I like it when guys tease me. They lick me and back off, they slip a finger or two inside? I like it when they’re conscious of my feelings? I don’t like it when guys just dig to China.

“I like clean guys. I’m not into bodybuilders. I want a little softness in a guy. I wanna be able to squeeze on some love handles. I’m not into working out. I’m lazy. I couldn’t handle a boyfriend who worked out because he’d be going, ‘Come on, let’s work out.’ And I’d say, ‘No. Bring me home a Snickers.’”

Christy says men become possessive because they want to be the breadwinner. “They either resent you for doing it and making more money than they do, or they have this notion that they’re going to latch onto the money that you’re making. What they make is their money, and what I make is mine. But what happens is that I end up paying for dinners more than they do.

“If I want to get laid, I just pick up the phone and say, “I’m ready to work.” Being in this business has desensitized me to the one-night stand… I’d rather make a movie and get paid than sleep with some guy I don’t know.

“Men always try to change me. They want to make Christy dependent on them. They get this feeling, “Poor Christy has to make these fuck films.” I’ve had several boyfriends say all of a sudden, “Oh, Christy, I’m sorry you have to do this. You’ll never have to do it again.” Don’t fucking tell me what I can or have to do or don’t have to do. Relationships don’t work for me.”

Christy loves reading trashy novels by Jackie Collins and Danielle Steele. “I want to improve? I bought some Tolkien novels but I haven’t read them.” (HEVG)

In late July 1996, Canyon married Adam Film World editor Jeremy Stone (who loves to work out) and retired from porn. She supposedly earns about half a million dollars a year from stripping in clubs

The porno scene of the late ’70s and ’80s has managed to garner a modicum of mainstream attention from both fiction and documentary filmmakers in recent years. From the slick Hollywood films Boogie Nights and Wonderland to the biographically-oriented Porn Star and Wadd: The Life and Times of John C. Holmes.

Here is a short interview with the Swedish Erotica sex star… who soon may have a film of her own.

Seka hit the adult movie world in the late 1970s, and became a star overnight. Married twice and born and raised in Radford, Virginia, Seka grew up with an inherent sense of knowing what she wanted out of life—something better than what society had planned for her. She had a keen sense of style and of business that helped her become a success. These gifts have labeled her as difficult to get along with. Rumor was ripe that she wouldn’t give interviews. In fact, at the Chiller Theatre show where this interview was taken she turned interviewers away and almost physically threw one away from her table. Now retired from the adult film world Seka did take time out to talk about her past, her romance with the great comedian Sam Kinison, her fight with the Government’s investigation into the adult film industry (the Mease Commission), and her life today. Welcome to the interesting world of Seka.

CT: First things first, is your name pronounced SEE-ka or SAY-ka?

SEKA: It’s pronounced SAY-ka.

CT: What is your real name?

SEKA: You’ll have to look that up because I won’t tell you. If you really want to know you can go to SEKA.com and look it up.

CT: Was that a plug?

SEKA: You better believe it.

CT: You have a reputation for being difficult and NOT giving interviews. How did Chiller Theatre get so lucky?

SEKA: Everyone at this show has been so kind and so gracious that it’s the least I could do. The staff here is so friendly and polite. It’s been a good time.

I’ve done a lot of appearances at adult film events and the staff and many other people are rude and demanding. Here everyone was so polite and easy to get along with. I can see why Chiller Theatre has such a good reputation.

CT: But a lot of people have asked you for an interview.

SEKA: Your approach was the correct one. I had a guy come up to me at this show. He was some guy with a hat and sunglasses. He cut through the line where I was signing autographs and threw his mike in my face. He had his camera going thinking I’d stop and put everyone else on hold so I could do his interview. I told him we’re not doing anything. I told him to leave. He wasn’t respectful to me or the other people around me.

He wasn’t nice at all.

CT: Well, let’s start with the basics. Where were you born and what was your childhood like?

SEKA: I was born and raised in Radford, in the Blue Ridge Mountains of Virginia. I had a plain, normal childhood. I had one brother and one sister.

CT: What got you into the adult entertainment industry?

SEKA: I was part owner of seven adult bookstores.

CT: In Virginia?

SEKA: Yeah. They were all over the state. At the time 8-millimeter films were the big things. I had to splice them together for the peepshow booths that were in the back of the store. Naturally I watched the films and I thought to myself, “These women don’t look that good, and they are not a fair representation of women.” I figured I could do better and I did. I tried hard to show how women should be represented in adult films.

CT: You didn’t start in films right out of high school?

SEKA: Oh no. I started when I was twenty-five, a time when most women were getting out of the business. I’ve got good genes.

CT: How many films did you make?

SEKA: I made about fifty in my career. It seems like more but what a lot of these distributors do is add scenes from my movies into something they are trying to peddle. They use the name recognition to sell their film. That makes it look like I did hundreds of films.

CT: What caused you to stop? You hit the scene in late 1970s and were an instant sensation then you disappeared.

SEKA: I was the transition girl. When I came into the business it moved from 8 millimeter to VHS so that everyone could have adult films in their home. I did my movies and had a lot of fun, but then you want to try other things.

CT: So you quit cold turkey?

SEKA: I did fewer films through the late eighties, but I began working at CLUB Magazine. I had a ten-year contract. I did their pictorials and wrote some articles.

CT: What do you think you’d have done had you not become involved with the adult film world?

SEKA: Actually I got married, and that man wanted to have children. I didn’t. It’s not because I didn’t love kids; I love kids. I just didn’t want to have any. I wanted to experience the world, and you can’t do that when you’re carrying around children. I would probably have been a housewife with a bunch of kids. But when I heard mention of kids after I got married I thought, “I don’t think so.”

CT: Did you have any problems in your career that made you want to rethink your decision?

SEKA: None. I knew exactly what I was doing. I wanted to do adult entertainment especially because of the way women were represented before I became involved. It was also something I enjoyed. It was sex for God’s sake.

I also liked the business end of things as well. That’s where I got my reputation for being difficult. I wouldn’t let people take advantage of me and I prevented it from happening as much as I could.

CT: That’s interesting because porn was becoming a mainstream industry in the early 1970s. My teachers used to go see the movies then these tell all books started coming out. The women claimed they were abused and drugged to make those movies, and suddenly porn retreated back into the closet.

SEKA: Yeah, I know.

CT: What was that all about?

SEKA: I think a lot of people don’t want to read something unless it’s tragic or horrible. And since there is so much negativity about pornography to begin with it’s easy to assume the star had a difficult life. And unless you had something tragic happen to you, no one is going to read about you.

CT: Why haven’t you written a book?

SEKA: I have been approached about writing a book about my life a number of times. When they find out I wasn’t molested as a child or abused in some way they lose interest.

I had a perfectly normal childhood. It was a very positive upbringing. I came from a normal family. We didn’t have a lot of money, but we all got along well. We walked to school together. We made our own Halloween costumes. We decorated the Christmas tree as a family. It was a very normal upbringing. And no one is interested.

Society wants to think that only down and out desperate people get into the adult film business. That’s the picture that has been painted.

What ever happened to this is sex, it’s fun, and let’s share that fun by putting it on film?

CT: Political correctness rules.

SEKA: Political correctness drives me out of my mind. It’s such BS. We’re supposed to be a free country as long as we watch what we say or do because some person we’ve never met before or didn’t even know existed MIGHT become offended.

CT: So you’re a Howard Stern fan?

SEKA: I love Howard Stern. He tells it like it is. He shoots straight from the hip, and people can’t deal with that. You think in 2005 it wouldn’t be so restrictive. It seems that the more we progress the more we digress.

CT: Everyone takes everything so seriously anymore.

SEKA: You’re right. Look at smoking! I can’t smoke anywhere. What’s wrong with having a section for smokers? I got a ticket in California because I was smoking a cigarette outside where I wouldn’t bother anyone. I ripped up the ticket and threw it on the ground.

CT: You have worked with some of the best (or some might say the most notorious) in the adult film industry. Are there any people you enjoyed working with more than others?

SEKA: I really enjoyed working with John Holmes because he was always very nice to me. I’ve heard from others that he wasn’t very nice to them, but he was nice to me. Jamie Gillis was fun to work with because he was such a character. Jesse St. James and Aunt Peg were a lot of fun to work with. One of my most favorite people was Veronica Hart. She was such a sweet woman.

CT: After completing a movie, did you go to premieres with the other stars?

SEKA: If there was a premiere to promote the movie AND they wanted to pay me to promote their movie then I would go. But most of the distributors had the attitude that since I made the movie I was obligated to promote it. I was accused of being difficult, but if I wasn’t getting paid I wasn’t going. It was a business. They were still using my name and images.

CT: After a day’s shoot do adult film stars pal around together like regular film stars?

SEKA: I don’t know. I wouldn’t hang out with anyone from the business and I never did. I’d go home.

I’d go to the set and do what I had to do, then I’d go home and come back when they needed me again. It was a job. I enjoyed it, but it WAS a job.

CT: So no close pals or wild antics?

SEKA: I just didn’t want to be in that scene. From what I had heard there were a lot of drugs and I wasn’t into that. I’m not saying I didn’t do my fair share of anything but I wasn’t into the drug scene.

When I worked in front of the camera I was totally sober. I did not drink or do drugs. I was completely clean.

CT: Were there actors and actresses who came to the set stoned or drunk?

SEKA: Yeah. I won’t tell you who they were, but you could tell. It just made the day go longer.

CT: How long did it take to film one of your movies?

SEKA: We shot sixteen to eighteen hour days over ten days. We were shooting on 35-millimeter film as opposed to the digital stuff they bang these films out with now.

CT: What happened at CLUB Magazine?

SEKA: I had a great job there for ten years. I was able to sell a lot of SEKA merchandise and have a great time. I had exclusive rights to all of my photographs. I had a lot of freedom to do what I wanted. It was a very amicable arrangement. Now I’m doing the Club International’s 30th Anniversary issue coming out this January.

CT: In 1985 you ended up testifying in front of Congress?

SEKA: Yes, it was the Mease Commission. They were doing an investigation into the adult film industry. I begged to testify on behalf of the actors and actresses.

CT: Not many of your peers were as willing?

SEKA: No. Most of them didn’t want to be bothered. They were afraid.

CT: Why did you testify before the Commission?

SEKA: I was fed up with what I was hearing. They were making all members of the adult film industry to be criminals. Some were, but most were people trying to earn a living. Then they tried to say that I was a victim. Well, I had to tell them off..

What a lot of people don’t know is that the Mease Commission was founded in the late 1960s to investigate an alleged pornography problem. They didn’t find one. After their investigation they recommended that all the obscenity laws on the books in the United States be abolished except for those dealing with child pornography. When President Nixon got that report he threw it in the circular file.

The second Commission, the one that I testified at, was established in 1985. Because of the “tell all” books by some stars and some complaints by parents who caught their children watching their store bought porn tapes, they set out to prove there was a problem. And you know what? They didn’t prove a thing.

CT: I wonder if they’ll have another commission because of all the Internet availability.

SEKA: Well, they have been trying to pass new obscenity laws.

CT: It will be interesting to see what happens in the long run when the Supreme Court can’t define what is obscene.

SEKA: Some people will always complain about the industry.

CT: You dated the late great comedian Sam Kinison. What was that like?

SEKA: Sam was appearing on stage in Chicago. I had nothing to do so I went to watch his show. I had a box seat so that I could look down on the stage. He was so funny that I found myself laughing uncontrollably.

After the show, one of the stagehands approached me and asked me to come back stage. Sam wanted to meet me because of how hard I was laughing. We hit it off and began to date. Eventually he used me in his act. When I was free I’d tour with him and sometimes come out on stage with him. We’d do a bit of dialog. I was uncomfortable with it, but it got a lot of laughs.

CT: What was Sam really like?

SEKA: He was a very kind and gentle person. He was loud on stage but when he wasn’t doing his act he was very soft spoken. He found it necessary to drink a lot and take drugs. He had a lot of demons in him that he couldn’t get rid of so he hit drugs hard.

As I said I’m not part of the drug scene. I just couldn’t handle it so I left him.

I was so happy when I’d heard he’d been to rehab and then married someone special. It was a tragedy that he was killed. Sam was a wonderful person. I still miss him.

CT: After you left CLUB Magazine, what happened? You seemed to fall off the face of the Earth.

SEKA: I joined the club scene as an exotic dancer and toured clubs all over the world. I had a great time and got to see a lot. Eventually, though, I figured it was time to retire. I’d found my significant other and decided to settle down. Maybe the third time is a charm?

CT: And what do you do now?

SEKA: Just my website. That’s it. I had a difficult time getting it established because someone was using SEKA.com and I had to sue to get the domain name back. Strangely enough I got it back on my birthday April 15.

CT: What do you do with your free time?

SEKA: Free time? What is that?

CT: What’s a typical day for you?

SEKA: I get up about five thirty in the morning and go to the gym. I come back and check my emails and answer them.

CT: You answer all emails to your site?

SEKA: Yes. Every reply is from me.

CT: Then what do you do?

SEKA: I fill any orders made online, write in the diary online, and update my calendar. Then I do my errands. When I come back I check the website and answer more emails. I try to think of new things to do with the site to keep people interested and coming back. I post new stuff once a week. When you are a member you get four new pictorials a month. My fans have been very supportive, and I feel this way I can give something back.

CT: Have you had any problems with the website from weird fans?

SEKA: I get crazy emails but that’s to be expected. You get the religious ones that say I’m going to hell and all. So what? I’ll be in good company because most of my friends will be there.

CT: So what brings you to Chiller?

SEKA: A friend I knew asked if I would be interested in doing the show. I didn’t know anything about Chiller, so I asked around and everyone gave me good news about the show. So I went from there.

This has been the absolute best show I have ever done from beginning to end. Anytime someone said he would do something for me he did it.. There were no rough spots. There were no bumps. There was no BS. Everyone was so accommodating. I couldn’t believe it was happening. I was at a show and no one was trying to mess me around. It was so refreshing to see that there are so many nice people still around. It’s been an extremely pleasant experience.

CT: Do you have any plans to continue in the entertainment field like singing or making movies?

SEKA: Singing? I wish I could sing. I’m so bad that I don’t even sing in the shower for fear of scaring anyone. I can’t sing at all. As for movies, it depends what comes my way. I’m done with adult films. I wouldn’t mind doing a horror film if the right one came along.

CT: A horror film?

SEKA: Yeah. I think it would be fun. They scare me so I don’t watch a lot of them, but I think it’d be fun to be in one.

CT: That would be a change of pace.

SEKA: Well, I’m not saying I’m an actress. I’ve been a performer all of my life, I’d like to try acting.

CT: Is there going to be a book?

SEKA: Yes. There might be two: one about my life, and the first one will be a coffee book pictorial. Hopefully the pictorial will be within the next year. The autobiography may take a while. I’ll warn you now: it won’t be scandalous.

A lot of stuff got thrown on my plate recently with getting SEKA.com back, packing up twenty-five years of my life and moving to a new house, which we just did last week. I haven’t even unpacked yet. And now the book project is in the works.

CT: Are you in California now?

SEKA: No. I’m in Kansas City, Missouri. When I left Virginia I went to LA for 3 years and didn’t like it.

CT: Where were most of your movies filmed?

SEKA: Los Angeles or New York. After Los Angeles I moved to Chicago and stayed there for 25 years. I found a nice place in Kansas City. I’d never been there, but my better half took me there for Thanksgiving and asked what I thought. I looked at about fourteen houses. I walked into one and said. “This is my house.” So we bought it and made the move. We’ve been in the house four days.

CT: What do you think of the adult film world today?

SEKA: The industry has gotten kind of freaky. To me it’s not erotic anymore. It’s just “how many people can we throw into a scene?” and “how many orifices can we fill up with something?”. It’s just not sexy.

CT: It seems that the adult movies from the late 1960s to about 1986 seemed to have a sense of style.

SEKA: Back then people enjoyed what they were doing, and we did. We tried to make movies. I was getting six figures a movie. Now girls are getting $400 and most of them are burned out within a year.

CT: If you were just starting out, would you go into the adult movie field?

SEKA: Today? No. it’s too dangerous. They work you hard for little pay and after a year, you’re done. Plus you have to worry about diseases and the threat of violence.

In the old days not just anyone could make a movie. There was too much involved. Now, any psycho that can get a digital video camera can make one. And who knows where that would lead?

CT: Do you get residuals?

SEKA: No. They try to get you to take money on the back end so they don’t have that big expense up front. A lot of people fell for that.

CT: What do you mean?

SEKA: Well the company would make the movie then go broke and have to sell it to someone else who would make the money. The actors would lose. So I figured I’d get the money up front and be done with it. So all of those movies are now public domain.

CT: What do you think of television?

SEKA: I love THE SURREAL LIFE. I’d love to be on that show. It would be so surreal. Unfortunately I only get to see it in reruns.

CT: And no one has approached you?

SEKA: No one knew how to reach me. There was even a rumor that I was dead. My website and Chiller Theatre are helping let people know I’m still here.

CT: Do you watch a lot of television now that you are retired?

SEKA: A little. I’m a big fan of that HBO series DEADWOOD. I love the character of Trixie the Whore. She is so real, so liberated, and she’s the only character on that show that smokes cigarettes. I also love to watch cooking shows. I’m a pretty good cook too.

CT: You were a big fan of the Chicago baseball teams?

SEKA: Was? I still am. The only drawback to leaving Chicago is that I won’t be able to go to as many games as I used to when I lived there.

CT: I understand that you have a keen business sense.

SEKA: I don’t know about that. I do know what I want and how to get it. It might be from experience or from keeping my eyes open. I do own all the transparencies taken of me at Club Magazine for ten years. No other adult star was able to do that. There are over one hundred and fifty thousand of them. That’s where the coffee table book will come from. I own all the rights and the registered trademark to the name SEKA.

CT: Is there a SEKA action figure?

SEKA: I was approached by a company to produce one. I don’t know what’s involved. I was approached here at the show. So I’ll contact them after the show to see what happens. (SEKA contacted me to say she has reached a deal and there will be a SEKA statue at the October Chiller show.)

CT: Do you get a lot of people approaching you like that?

SEKA: Oh, yeah, people come up to me with this great idea to do this or do that then want me to come up with the money for it. I’m not stupid.

I had a guy come to me that wanted to use me promote a DVD of one of my movies on his site. I told him I’d do it if I got a dollar for each DVD he sold. He said he couldn’t do that, but he could give me exposure. Honey (she laughs) I think I’ve been pretty well exposed on my own. I know what they paid and I know what they stood to make so I wasn’t being unreasonable. But because I wouldn’t promote it (I wasn’t making any money from the movie having been paid for it years ago) the DVD didn’t do so well.

I’ve been called unreasonable and difficult to work with when all I am trying to do is protect myself just like anyone else would do.

CT: You’ve given a lot of interviews over the years. Is there anything you’d like to say that you’ve never been given the opportunity to say?

SEKA: I believe people ought to be nice. Dammit, be nice. It makes the world an easier place to live and you get back what you give out. And it’s easier to be nice. And go to SEKA.com and say, “Hello.”

CT: Thank you, Seka.

SEKA: Thank you.